Baz Luhrmann Romeo And Juliet Study Guide
Jul 20, 2011 - 1996 Baz Luhrmann's 'Romeo + Juliet:' Age: 14+: Rated PG-13 for. And this film version, see Paul Brians' Study Guide to Romeo and Juliet.
'Two households both alike in dignity in fair Verona, where we lay our scene, from ancient grudge break to new mutiny, where civil blood makes civil hands unclean. From forth the fatal loins of these two foes, a pair of star crossed lovers take their life, whose misadventured piteous overthrows doth with their death, Bury their parents strife. The fearful passage of their death marked love, and the continuance of their parents rage, which but their children's end not could remove, is now the two hours traffic of our stage.' Anchorwoman A female newscaster delivers what are the opening lines of Shakespeare's original play, which tell the viewer about an affair that ended in mutual suicide. The cadence of the delivery resembles a nightly news report, and specific phrases ('ancient grudge,' 'new mutiny,' 'civil blood makes civil hands unclean,') reappear as newspaper headlines in the montage to follow. 'Did my heart love 'til now? Forswear its sight.
For I never saw true beauty 'til this night.' Romeo Romeo says this about Juliet. He is asking himself if he ever truly loved anyone before he saw Juliet because until he saw her tonight he believes his eyes were lying to him, as true beauty has only just now appeared in the form of Juliet, and no one can compare. 'Why, then, O brawling love! O loving hate!
O any thing, of nothing first create! O heavy lightness! Serious vanity! Misshapen chaos of well-seeming forms!' Romeo Romeo is scrawling these verses into his notebook when we first hear them in voice-over, and they signal his uncomprehending shock at the deranging effects that passionate feelings of love can have on the human mind. His string of paradoxes ('heavy lightness,' 'serious vanity') reflect the contrary, illogical qualities of love that continue to confound his heart and mind. 'Drugs are quick.'
Romeo In Shakespeare's play, this line is Romeo's penultimate, after he takes the draught of poison given to him by the apothecary. In Luhrmann's film, Romeo recites this line during the Capulet party after taking the ecstasy tablet that Mercutio gave him at Sycamore Grove. 'And when I shall die, take him and cut him up in little stars, and he will make the face of heaven so fine that all the world will fall in love with night and pay no worship to the garish sun.'
Juliet Juliet is expressing her deep love for Romeo in this moment. It is nearly a prayer in that she wishes when she dies he will become as bright as stars in the night sky that everyone will want night to come because they will see what she sees: the wonder of Romeo.
And once they see it, the whole world will change from desiring the sun to yearning for night to come where they can see the face of Romeo once again. 'O Romeo, Romeo, wherefore art thou Romeo? Deny thy father and refuse thy name, or if thou wilt not, be but sworn my love, and I'll no longer be a Capulet.' Juliet One of the most famous lines ever written. Juliet speaks about her anguished love for Romeo. She knows that because their families have a generational feud that they will forbid their love, but she says that she doesn't care what it will take: she will love him even if it means changing her family name for him.
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'Good night, good night! Parting is such sweet sorrow, that I shall say good night till it be morrow.' Juliet This rhyming couplet crystallizes the bittersweet feeling of happiness and sadness that having to say goodbye to a loved one inflicts. Juliet is speaking to herself, having watched Romeo retreat from the courtyard back over the Capulet mansion walls, and is one of many remarks she makes expressing her impatience at having to wait for certain events to come to pass. 'I'll look to like, if looking liking move: But no more deep will I endart mine eye than your consent to give strength to make it fly.'
Juliet This is Juliet's clever, canny reply to her mother's cajoling about whether she would be willing to entertain Paris as a potential groom. The line suggests that Juliet will entertain and tolerate Paris's presence, but feels she should be under no obligation to feel anything that she does not genuinely feel. I hate the word, As I hate hell, all Montagues, and thee.' Tybalt This line dramatically captures Tybalt's sneering disapproval at any attempts by the Montagues to de-escalate the battle that unfolds in the film's opening scene.
Tybalt worships at the altar of violence, and believes wholly in the Capulets' righteous, quasi-religious quest to execute all of the heretical Montagues. 'I talk of dreams, which are the children of an idle brain, begot of nothing but vain fantasy, which is as thin of substance as the air and more inconstant than the wind.' Mercutio These lines come at the end of the Queen Mab speech, laying bare Mercutio's ambivalent feelings toward dreams.
While they can be wonderful generators of pleasure and happiness, Mercutio warns that they are finally immaterial, and not to be relied upon. How To Cite in MLA Format GradeSaver 'Romeo and Juliet (Film 1996) Quotes and Analysis'. GradeSaver, 4 October 2018 Web.
Romeo And Juliet Franco Zeffirelli
Analysis of Baz Luhrmann's Use of Cinematic Devices in the Opening Scenes of William Shakespeare's Romeo and Juliet Baz Luhrmann's 1997 film version of Romeo and Juliet is updated to the modern age while still retaining the original dialogue. The opening shots are unusual but highly affective. Luhrmann starts off with a static long shot focusing on a TV in the middle of the screen. The television immediately explains that the story has been modernised. He then zooms in slowly, taking the audience with him as we wonder what is going on and what will happen next. The TV changes channel to. There are more shots, such as low angled shots of a helicopter flying over the Jesus statue.
Luhrmann flashes the words of the prologue on the screen. Even these words, sends out a religious message, all the T's are in the shape of crosses in relation to Jesus. A montage of clips from the film, acts like a small trailer before the film begins. It shows short clips of the film, in a very fast paced montage. This is affective at keeping the audience watching, as it shows clips of action and shooting which make you want to see the action in full. After this montage, a screen wipe slowly moves across the screen as if it was a curtain opening the stage. After that it goes straight into the film where you are to see the tracking of a car with modern rap style music being played in the background.
The camera freezes the actors into position, below the picture; the characters are introduced, using bold white writing. This makes us aware of their name, status, and house - Capulet or Montague. This is a clever way of showing who they are without having to concentrate on the Shakespearian language. In this case the caption says, 'The Montague Boys'.
They pull into a petrol station and the driver gets out to go to the toilet. On the other side of the pumps nearest the shop, the Capulet car pulls up. In both the families they all have. 1154 Words 5 Pages William Shakespeare's 'The Tragedy of Romeo and Juliet,' set in 16th century Verona, Italy shares differences with Baz Luhrmann's 'Romeo + Juliet,' set in modern day Verona Beach. These stories contain the same characters and conflict, however major and minor discrepancies are galore in the story lines of both formats of William Shakespeare's creation. Some major inconsistencies occur, such as Mercutio dying at a beach, portrayed as a hero, instead of being at a bar, looking like a fool, Friar Lawrence's.
1107 Words 5 Pages Critical Analysis of the Opening Extract of Baz Luhrmann's Romeo and Juliet Baz Luhrmann has used the three presentational devices in a specific way in his film 'Romeo and Juliet'. The point of this essay is to analyse them in the opening extract. The presentational devices are: sound; mise en scene; and cinematography. The elements of mise en scene are: why things are placed where they are; what the characters are wearing; body language and facial expression.
Sound is quite.